Jason Stringer

A goal without a deadline is just a dream.

Sensible changes: How audience feedback improved a short film

Her Party

Earlier this year I invited viewers of Her Party – a short student film I directed in 2008 – to provide me with solid, honest (constructive) feedback. I always knew there were issues with the first cut of the film, which was hurried to meet graduation screening. Now, with festival submissions and a DVD looming, I wanted to ensure I turned in a film I was (more) proud of and happy to be shown to wider audiences.

I personally called the project Party Redux (geddit?) and set about making sensible changes; using the razor tool to improve pacing and the paintbrush to improve grading.

The results are wholeheartedly satisfying. Her Party now runs just over five minutes (instead of the original, painful painful 10) and looks fantastic:

Click here for more information and media for Her Party.

Creating vast improvements on a short film, Her Party re-cut.

Last night I re-opened the short film Her Party project in my video editing software and selected the razor tool… it was finally time to make improvements. As always seems to be the case, it was when I wasn’t thinking about it, and after considerable time had passed since last dealing with the project, that I was able to visualize exactly where and what I needed to cut to improve on the pace of the film.

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During pre-production I had planned my shots and shot them accordingly. I had gauged a pace for the film, a pace I felt was necessary to lay out all of the emotion on the table. Turns out – as learning goes – I was wrong.

I recently had a discussion with a colleague about my decision to re-cut Her Party with the intention of shortening it. I explained that, for some reason, people who view it seem to think the fact that the mother’s daughter has passed is supposed to be some sort of surprise reveal, despite the music, pace, shot selection and overall tone from very early on the film clearly illustrating otherwise. I explained I had decided to cut off the fat and get to the meat quicker. My colleague agreed – having seen the film screen in a cinema, he said one thing that convinced me my decision was right:

“You’ve got a strong closing performance that delivers at the end. The sooner you get the audience to that moment, the better…”

I definitely agree. So, with this in mind, as well as the constructive feedback I received from those who took the time to watch and email me or comment, I have started working on a fix for Her Party. This new cut will be the one I send to film festivals and put on DVD for those involved. I will be posting it online as soon as I’m done.

If you’re keen to compare when the new cut goes live, be sure to watch the old version here while you can.

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Behind-The-Scenes Publicity Material for HER PARTY

I have uploaded a short behind-the-scenes video and a selection of images from the set of Her Party.  Click here to check out the material. The awesome photographs were taken by brilliant Unit Publicist Wayne Nicholson (our head lecturer at the time). Whenever I shoot anything in the future, I’m inviting him to set.

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The new (shorter) cut of Her Party is almost finished and the DVD is right around the corner.

The finished Homecoming DVD inlay design

I love the process of desktop publishing and digital design, especially when you aim for a certain idea and achieve exactly what was desired. My last four short films are still in DVD limbo, waiting to appear on disc and be placed in the hands of their collaborators. I’m aiming to have this done as soon as possible while ramping up future projects. The first short to be authored on DVD is Homecoming, which I completed late last week. Check out the DVD artwork I settled on (click to enlarge):

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Next I will throw together DVDs for Her Party, Living With Benjamin and Hair Dye.

These graduating times in the West

It was just six months ago that I sat in the same cinema amongst peers and professionals, its red seats and tall red curtains holding the group of onlookers tight. On this occasion I found myself less anxious, yet equally excited.

Previously I had been in attendance with my family on my graduation night, waiting to receive my Advanced Diploma in Screen.  This time I sat as support for fellow filmmaker Danny Clark as he accepted his graduating certificate in the same course. I felt great pride for him and shook his hand when his name was called. We’ve talked about it so much. Now we’re here, making it happen.

Afterward we gathered in the main hall of FTI and enjoyed (average) beer and (awesome) food. Joining us was Keagan Teare, another fellow old-school mining town original who has moved to Western Australia and undertaken the FTI Diploma in Screen studies. Also with us was Ross Gluyas, whom I remember best as the guy who served me at that outback Blockbuster store when hiring VHS tapes almost a decade ago (my early gains in film knowledge – watch everything.) It was a very surreal moment between the four of us. There we stood, thousands of kilometers from our origins, standing amongst the filmmaking community in Fremantle on a stormy Friday evening.

I look forward to being back here in 30 weeks to watch Keagan accept his graduating certificate – the third consecutive Roxby resident in successive classes to do so.

Danny and I introduce ourselves as filmmakers – and it feels damn good to confidently do so.

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